The International Society of Assemblage and Collage Artists
Brushes, Hammers, Paste and Nails
Please check out the nice post 22 Magazine did on my work and while you're there be sure to check out the other wonderful art they're promoting. Thanks.…Continue
Tags: peeke, magazine, 22, collage
Started this discussion. Last reply by Cory Peeke Mar 31, 2012.
I just started it and must say its pretty interesting so far.Paper Garden…Continue
Tags: book, 1770s, flowers, collage
Started this discussion. Last reply by Mel Kolstad Jun 2, 2012.
SF Gate review of exhibitWould love to see this show. Is anyone going?Continue
Started this discussion. Last reply by ken coleman Feb 19, 2012.
Cory Peeke has not received any gifts yet
Exhibition Dates: August 1 – 31, 2013
Opening Reception: August 1st, 6-8pm
Posted on July 20, 2013 at 5:46pm
Hi All, Check out this call for collage work. The guy putting it together is wonderful young collage maker from the UK, lets support his project!
If you have questions contact the organizer at: scopophilia22@gmail.com
-cory
Posted on March 8, 2013 at 2:00pm
The winter issue of "Gambling the Aisle" is out. It features several of my collages along w/ an interview w/ me. Check it out.
http://issuu.com/gamblingtheaisle/docs/winterr_2012?mode=window&printButtonEnabled=false…
Posted on February 9, 2013 at 8:08pm — 4 Comments
Started by Felicia Belair-Rigdon. Last reply by Jemison Roger Beshears Jul 7, 2021.
Started by Janice McDonald Oct 21, 2019.
Started by Janice McDonald Jul 27, 2019.
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Hi Cory, thank you for adding me! I´ve visited your webside - your collages are meaningfull with an intersting style - love them! Greetings, Sabine
Congrats, Cory.
Kudos on your recent solo show!
For me, the collages I made between 1983 and 1989 were all about intuitive findings and as you say, looking for the right thing to use in a work or catalyze it. When I went to grad school I gave myself a little challenge--to test if I was too reliant upon collage materials--and I gave up collage proper (pasting paper) and I decided to work with only what my hand could make. I wanted to deal with appropriation and what I perceived to be interesting about Salle's work: the hand is capable of appropriating different styles, different moods etc. and I wanted to practice that. When I finally returned to collage proper around 2000, I found that I had lots of series work and each series generated rules for what to collect or how to use what was found. Oddly enough, my most recent work was a bit of a return to the original way I worked nearly thirty years ago. So I guess the short answer is that I work differently depending on the body of work I am developing. I love this and actually have about a dozen different series going on at any one time, which keeps me always moving in my studio.
Thanks, the feeling is mutual. I appreciate the clean, minimalism to your approach—makes the work iconic—and I love its color. After having visited your website I could not help but notice that you are obviously prolific, which is also impressive.
Is there a guiding principle in your studio practice?