The International Society of Assemblage and Collage Artists
Brushes, Hammers, Paste and Nails
In an effort to share, explore and expand upon the myriad studio practices found here at ISACA, please consider using this forum to post images and descriptions of the process you use to create your…Continue
Tags: virtual, subtractive, additive, process
Started this discussion. Last reply by ken coleman Mar 17, 2013.
Todd Bartel has not received any gifts yet
Todd Bartel received a BFA in painting from Rhode Island School of Design in 1985 and also studied in Rome as part of RISD’s European Honors Program between1984-1985. He achieved his MFA in Painting from Carnegie Mellon University in 1993. In 1990, Bartel was a recipient of the Jacob K. Javits Fellowship (U.S. Department of Education, Washington, D.C.) and in 2000, he was awarded a Connecticut Council on the Arts Fellowship Grant in support of the continuation of his drawing series, “Garden Studies” and related “Terra Reverentia” series. Bartel has taught at Harvard University, Brown University, Carnegie Mellon University, Manhattanville College and Bridgeport University. He has been a guest critic at Rhode Island School of Design, and Vermont College of Fine Arts. He lectured at the Alfred University, Chatham College, Western Connecticut State University and the New England Teaching Conference, among others. Currently, Bartel teaches drawing, painting, sculpture, installation art and conceptual art at the Cambridge School of Weston, Weston, MA. Bartel is a founder and the Director of the Cambridge School’s Thompson Gallery, a teaching gallery dedicated thematic inquiry, and “IS” a proposal-based installation gallery.
Todd Bartel is a dedicated collage artist. His work assumes assembled forms of painting, drawing and sculpture that examine the roles of landscape and nature in contemporary culture.
Posted on February 13, 2013 at 7:58pm
Posted on November 5, 2012 at 10:50pm
I am pleased to announce Numéro Cinq recently posted their interview with me about my work:
ContinuePosted on October 28, 2012 at 12:30pm
Started by Felicia Belair-Rigdon. Last reply by Jemison Roger Beshears Jul 7, 2021.
Started by Janice McDonald Oct 21, 2019.
Started by Janice McDonald Jul 27, 2019.
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Thanks so much Todd! I look forward to being more active here on the site and getting to know everyone's work and exchanging ideas and feedback. Appreciate the kind words.
thanks to your Blog!
No digital imaging. These pieces are very hard to photograph. There are three layers that you "see" as you look at the piece. I used paper, a transparency of the girl and a piece of mica.
I do, Todd, if you click on the photo you will see the title for each.
Todd, I'm very inspired by your work which I've now had some time to explore...the relationship with nature, and the commitment to collage and assemblage (which is nature itself) and also the ultimate recycler..something you recognized as your calling early in your career. You've given me inspiration, and confidence. LS
http://www.beatricewood.com/gift_shop/book_i_shock_myself.html
See if this comes through. If not, put I Shock Myself in a search engine...you'll also find lots of images. LS
Love the reference to Duchamp...In my former life edited the autobio of ceramicist Beatrice Wood, I Shock Myself. She was one of his lovers, and her work was influenced by him...in fact, she had a piece at the 1912 NY Armory Show (which is getting some recent attention). Duchamp was the first to bring pure function into the definition of art... LS
Thanks Todd. Yes, modularity is a form of collage. Thanks for seeing that! LS
Thank you for going above and beyond as a curator, artist and teacher, not only going through the rigors of the selection process, but then putting together a book of "Strange Glue", and even a virtual exhibition of those who didn't make the physical space, http://thompsongallery.blog.com/image-gallery-strange-glue-virtual-exhibition-3/
Your energy must be boundless!
Great! I'm looking forward to it.
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