Christina Uebelein
  • Honolulu, HI
  • United States
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What kind of art do you do?
assemblages from manufactured materials and collages of natural fragments reminiscent of man-made constructs
What is your website address?
www.tenthousanddreams.com
What is the guiding principle in your art?
only connect

Christina Uebelein was born in Maryland, raised in Europe, and moved to the Hawaiian Islands in 1967.  She currently lives and works in Honolulu, Hawaii.  She received a Masters in Architecture degree and a Certificate in Historic Preservation from the University of Hawaii at Manoa in 1995 and, upon graduation, was awarded The American Institute of Architects, Henry Adams Fund, Medal for Excellence.

 

Her sculptures embody the aesthetics of assemblage, Surrealism, and Nouveau Realisme -- art forms in which natural and manufactured, traditionally non-artistic materials and objets trouvés are assembled into three-dimensional structures.  Her constructions combine organic, geometric, industrial, fantastical, allegorical, and marvellous elements into a unified whole.  In the words of one admirer, “They are at once elegant, whimsical, and surprising.”

 

Uebelein develops her themes using asymmetry, a stylization of natural forms, an accidental and deliberate treatment of the same element, a combination of abstract and naturalistic elements, an illusion of depth created by overlapping planes, and a repetition of selected elements to create texture.

 

The visual metaphors of Uebelein’s sculptures move the viewer from familiar natural or manufactured objects and materials toward ‘an alternative universe of imaginative and analogical connections.’  They combine both mythic and comic elements.

 

Uebelein continues her practice of architecture and also is the founder of Ten Thousand Dreams Art Studio.

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Posting to membership- 2 Replies

Started by Felicia Belair-Rigdon. Last reply by Jemison Roger Beshears Jul 7, 2021.

Call for Artists: A Book About Death / Tribute to Ray Johnson

Started by Janice McDonald Jul 27, 2019.

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